![]() ![]() At the symphony, you want to sit in the center of the auditorium, at the fulcrum where the voices of all instrumentalists converge. We all go through this to a certain degree when attending a concert, of course, but the stakes are higher when experiencing creative music. Whenever I attend a Nameless Sound event, I find myself in a paralyzing quandary about where to sit. LISTENING WITH THE EYES, LOOKING WITH THE EARS DAVID FEIL SOLO AT RICHMOND HALL, MENIL COLLECTION (DAVID FEIL SOLO) Scorces at waking moments (cristina carter + heather leigh) X. BOB OSTERTAG/JAMES MAGEE (BOB OSTERTAG + JAMES MAGEE) IX. Peter brötzmann at The Hill of james magee (Peter Brötzmann solo) VIII. Loren connors at the rothko chapel (loren connors solo) V. Keith rowe at the rothko chapel (Keith rowe solo) IV. Text of light (Lee ranaldo, alan licht, ulrich krieger, + tim barnes) III. Phantom orchard (Ikue Mori + Zeena Parkins) II. "REFLECTIONS ON THE AURAL AND VISUAL: Nameless Sound's poster artists" BY GABRIEL MARTINEZ, DAVID WANG, AND DAVID FEIL PERFORMANCES + RECORDINGS I. "NAMELESS SOUND AT THE HILL of James Magee" BY MELISSA WARAK VI. " Son et lumière: Synaesthetic response and camaraderie" by Karen fanG V. "his painting has music in it" By Loren connors IV. " INTENSITY OF GAZE AS A FORM OF LISTENING" by keith rowe III. " Listening with the eyes, looking with the ears" by Natilee harrEn II. ![]()
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